Wednesday, April 23, 2014

Second Season Finale

It's been two whole years since Stack That Cheese was born. What started as a way to get involved within ACRN has become a weekly celebration of all that rap stands for, both good and bad. After looking back at the past 40-something posts, I can positively say that STC has really grown and so have I in the process. Thanks to whoever reads this, no matter what your reason.

To celebrate two years of hip-hop reviews, I decided to compile my favorite releases that I have reviewed. After starting with a list of over a dozen memorable mixtapes, I've whittled it down to a mere five. But before we get to those, let's just remember some of the tapes that didn't quite make the cut but were pretty gosh darn close.

Honorable Mentions:


I'm sorry, I couldn't resist. Young Thug is one of the most fascinating rumors of recent memory. From the questionable fashion choices that lead to speculation over his sexuality to the constant rumors involving him and Young Money, Young Thug has taken everything crazy about this current Southern Renaissance and made it even crazier. Whether he will continue to remain so interesting has yet to be seen, but one thing is for sure: I'll always love "Danny Glover," and that's a Stack That Cheese promise.


Los has been one of the most impressive lyricists since he first stepped in the game. However, he never really had that "it" factor. That was until he became King. Becoming King was the first time that Los actually acted like the star everyone always knew he could be. Honestly, if this was a month ago, this would have made it into my top five easily. However, with King Los leaving Bad Boy (again) and releasing a mixtape that dropped slightly in quality, it seems the King still has some work to do before he rules over a court.


This was by far the hardest tape to leave out of the top five. I was accidentally on a real East Coast kick this past September. Artists like MeLo-X and CJ Fly proved how unique the Beastcoast movement was when done right. But no one, not even Joey Bada$$ himself, had as distinct a sound as the Flatbush Zombies. The Zombies managed to create a rap-rock hybrid that always been impressive. Their gritty sound can be matched by few and the fact that they had a Danny Brown feature launched it over the edge. It was a fantastic effort on their part and I can't wait to see what's up next for the East Coasters.

Now, time for the five best mixtapes this writer has ever reviewed. It was a tough list to compile and I'll probably change my mind within a month, but all of these mixtapes deserve praise no matter what.

5. YG - Just Re'd Up 2

I don't know what it is, but I have a huge soft spot for YG, and it all started with this tape.

YG is that ratchet rapper that you can't help but love. Sure, King Los and the Flatbush Zombies have better lyrics, but there's just something about the way YG carries himself that makes him so irresistible. It doesn't hurt, either, that he's got DJ Mustard on his side.

Looking back, this mixtape is even better now than it was back then. Since this tape was released, multiple guest stars have gotten fame of their own, from Ty Dolla $ign to Young Scooter, Just Re'd Up 2 has become a who's who of guest stars.

And then there's how awesome My Krazy Life turned out to be. On one hand, that shows how much better Just Re'd Up could have been, but on the other hand it just makes you like the guy even more. Plus, as much as I love "My Nigga," nothing will replace the pure insanity that is "Make It Clap."

4. Big K.R.I.T. - K.R.I.T. (King Remembered in Time)

As much as this Southern Renaissance in hip-hop is growing on me (I'm even starting to like some Future), there's still nothing better going on in the South than Big K.R.I.T.

K.R.I.T. has long been a power house in the Southern hip-hop community. Ever since he first burst on the scene in 2010, he's proven to be one the most authentic lyricists that hip-hop had to offer. And K.R.I.T. proved that stereotype to be true.

On his self-titled mixtape, K.R.I.T. brought a classic Southern sound that could have easily been on a UGK album. And the lyrics, as always, were spot-on. I'm really looking forward to his next project due out this year, especially since his last one turned out so good.

3. Action Bronson - Rare Chandeliers

Four words: Action Bronson and Alchemist. That's all you need to know in order to confirm this is a good mixtape. Alchemist has this way about him that allows him to make every artist sound good, but Bronson is a whole 'nother story.

What's so amazing about this mixtape is how perfectly the pairing goes together. Action Bronson is one of the most terrifying rappers around, always striking fear into the listener. And Alchemist makes some of the darkest, grimiest beats around. So together, the duo is basically a horror movie with better music.

I'm still embarrassed I didn't name this the best mixtape of Season One. Rare Chandeliers is the scariest form of perfection. Plus, it is the coolest mixtape cover ever.

2. CyHi The Prince - Black Hystori Project

This one is just flat out unfair. CyHi fans and most people in the hip-hop scene knew something like this was possible, but damn does it feel good to see CyHi actually achieving it.

The GOOD Music artist has been making music for a few years now. His Ivy League tapes and his appearances on GOOD Music affiliated songs have especially proven how strong of an artist The Prince was. But nothing he's done has ever been this good. Hell, I would say this has been one of the best releases in rap all year, and it's been a year crowded with quality releases.

The production on this was perfect, matching the mood of CyHi's lyrics exactly on every single song. And the concept behind this album--to pay tribute to the trailblazers of the black community--isn't a new one, but the way CyHi executes it makes it feel as if it is. This guy has to release a record soon or I'm going to go insane.

1. Vic Mensa - Innanetape

Who else could it be?

Vic Mensa's Innanetape was not only one of the best mixtapes of 2013, but it was one of the best releases of any genre. I ranked it fifth among all albums last year and I'm standing by that claim.

Outside of Chance the Rapper, Vic is just about the most inspired young rapper, embracing styles that most other hip-hop artists wouldn't even think of trying. Innanetape is the perfect example of this.

From the funky "Lovely Day" to the bubbly electronic "Run!" From the trappy "Yap Yap" to the soulful "Holy Holy" (which includes an emotional verse from Ab-Soul), there's nothing Vic Mensa can't do. Thanks to him and Chance, Chicago has a bright future that's only going to get brighter with time.

Tuesday, April 15, 2014

King Mez, Kevin McCall, DOLLABILLGATES

The Good:


Hip-hop has this way of focusing mostly on just a handful of areas at a time. There's plenty of good East Coast rap, but we don't get too far out of New York. Same goes for the West Coast and California, along with the South and the Atlanta area. Sometimes, the only way for an area to get noticed is one superstar breaking out. That's usually enough to make the blogosphere and record companies way too obsessed with said area. (See: Pittsburgh and the Mac Miller/Wiz Khalifa combo)

Looking good, Cole.
Luckily for us, that happened in North Carolina with J. Cole. Thanks to Cole, rap fans everywhere have looked more into the Carolina region. And that's how King Mez came up.

Thank God, too, because this guy is really good. Aside from being the umpteenth rapper with royalty in his name, Mez is easily one of the more creative upstarts in a while.

It's hard to really tell if North Carolina has much of a sound. While New York has that classic chill, drum-reliant sound and the West has the g-funk and ratchet sounds, North Carolina seems too small of a hip-hop scene to truly have a constant theme. But, if I have to guess, I'd guess they like Kanye a lot. From Cole's "Last Call" on Warm Up to the small reference to Kanye's "The New Workout Plan" in Mez's "Flight," when he raps, "What's scary to me." And to this writer, that's one hell of a great thing.

Another theme in North Carolina seems to be sick lyrics. Long Live the King's opening track "Inheritance" starts off with 45 seconds of piano and a female chorus, building anticipation. And then Mez kicks in with "I need a few classic albums and a couple mil before I put my feet up / Just to dust 'em off. I don't recline I keep my seat up." And the crazy part is that he continues that rhyme for most of a verse. Quality lyrics are all over this mixtape.

However, what makes Mez really special is his flow. He has an insanely grimy voice, sort of like a deeper Chance the Rapper. And he has this way of saying words that would make "insomnia" rhyme with "only way." And he does.

Plus there's the production. "Swerve" has this synth-heavy beat that sounds ominous and "Flight" sounds like it's straight off Vic Mensa's Innanetape. There are definitely some powerful samples on Long Live the King, along with classic drum beats that tie the whole thing together and makes it a well-produced tape.

King Mez might have gotten the spotlight from Cole, but he got his talent on his own. And that shines through on Long Live the King.

The Bad:


I'm not going to pretend I'm an expert on R&B. I listen it, sure, but it's much more casual than my love for rap. But I do know I'm not a huge fan of when it drifts into super poppy territory.

A.D.H.D. is just about as poppy an R&B mixtape could be without being pop itself.

J. Holiday wants his style back
The entire album is exactly what one would expect from an R&B artist who's not really singing R&B. There are semi-sexy beats and cliché lyrics everywhere. This might not be too bad in 2007, but R&B's currently undergoing a lot of changes with the likes of The Weeknd and Ty Dolla $ign at the helm.

What bothers me the most about this is that McCall knows this. "Smokin Killa" is a low-key banger. It's that slimy shouting-meets-singing type thing that's getting increasingly more popular and more catchy. And the beat is club-worthy with a fun feature from Calico West.

Sadly, there's no mustard on the beat, ho.
Then there's "Yo Chick" featuring Dolla $ign himself. The beat is straight fire, sounding like a DJ Mustard beat made for Future. And Dolla $ign proves why he's the future with an attention-grabbing verse.

But that's about all there is. "Match One"could have been written for just about any mid-2000s singer and most of them would have done it better.

And then "Neva Had A" is re-dic-yu-lus worthy. The video game-like synths are so distracting and McCall just sounds like he's trying way too hard. Plus there are multiple times when he just says "nigga," like nine or ten times within a couple of seconds.

Kevin McCall definitely has potential to be half-decent someday. But the majority of A.D.H.D. fails to show that.

The Re-dic-yu-lus:


I've been stacking cheese for almost two years now, and yet this is the first time this has happened. This is the first time we've had a re-dic-yu-lus repeat for someone who wasn't famous for being bad (Lil B, Soulja Boy and Waka Flocka). I honestly never expected this. I just kind of assumed once they reached Stack That Cheese their career was over. Apparently I don't have as much klout as I thought. Rats.

At least that's what DOLLABILLGATES wants me to think. So, as Supa Hot Fire would say, it's time to finish this man's whole career.


First off, I'm not a rapper. Now, I'ma let DOLLABILLGATES go first.

"I got a whole crowd of niggas wanna see me ball
Put sixes on it, now I'm seven feet tall.
That's a cold-ass truck my nigga.
Do your thing, go and stunt my nigga.
Roll a blunt a blunt my nigga."

You're done. You're done. My turn.

Ok.
Ok.
Ok.
You're DOLLABILLGATES. I'm PESOSTEVEJOBS
Because I'm a Mexican apple. Manzana


But I'm not a rapper. Go ahead.

"When I'm talking silent, man, I mean a whole hunnid.
If I was down to two hunnid, let you hold a hunnid.
Switch lanes, I traveled across the whole country.
How dis young ass nigga spending old money?"

I'm bored. My time.

Eloquent words? I type them.
Noobs on Call of Duty? I snipe them.
Pretty girls? I like them.


Alright, time to end this man's whole career. But I'm not a rapper.

I'm an OCD mouse. I stack that cheese.
I'm so hot I can hotwire this car. No keys.
Pea coat. Wool hat. Shoes. Call me pea coat wool hat shoes man.
I'm rubber you're glue, man 
so every thing you say bounces off me and sticks to you. Man.


But I'm not a rapper.